Lars Müller and Victor Malsy (eds.)

Helvetica forever

Story of a Typeface

Designed in 1957, the Helvetica font is an icon of swiss graphic design, which was a model of sober, functional communication throughout the world in the 1950s and 60s. The balanced and neutral appearance of Helvetica forgoes a high degree of expressivity – a quality for which it is both criticized and admired. This polarization has helped to gain it unparalleled notoriety. This publication retraces Helvetica’s fifty-year history, compares it to the well-known sans serif fonts of the twentieth century, and examines the phenomenon of its unparalleled spread. The documentation is based on the achievements and archive of Alfred Hoffmann, the former director of the Haas’sche Schriftgiesserei (type foundry), where, in conjunction with Max Miedinger and Eduard Hoffmann, Helvetica was developed. Numerous illustrations show a multitude of ways the font has been used in five decades from a wide variety of fields – from signal design to party flyers.

Designed in 1957, the Helvetica font is an icon of swiss graphic design, which was a model of sober, functional communication throughout the world in the 1950s and 60s. The balanced and neutral appearance of Helvetica forgoes a high degree of expressivity – a quality for which it is both criticized and admired. This polarization has helped to gain it unparalleled notoriety. This publication retraces Helvetica’s fifty-year history, compares it to the well-known sans serif fonts of the twentieth century, and examines the phenomenon of its unparalleled spread. The documentation is based on the achievements and archive of Alfred Hoffmann, the former director of the Haas’sche Schriftgiesserei (type foundry), where, in conjunction with Max Miedinger and Eduard Hoffmann, Helvetica was developed. Numerous illustrations show a multitude of ways the font has been used in five decades from a wide variety of fields – from signal design to party flyers.

This book is also available in German

Edited by Lars Müller and Victor Malsy

With contributions by Axel Langer and Indra Kupferschmid

Design: Victor Malsy and Lars Müller with Integral Lars Müller

19 x 26 cm / 17,5 x 24 cm, 7 ½ x 10 ¼ in

160 pages, 150 illustrations

hardback

2009, 978-3-03778-121-0, English
CHF 35.00
Out of stock

Victor Malsy

Victor Malsy, born 1957 in Froschhausen (Germany). After training as a technical draftsman and nurse, he studied graphic design at the University of the Arts in Bremen. Since 1991, directs his studio, the Büro für Kommunikation und Gestaltung. Professor of communication design from 2000 to 2024 in the design department of the University of Applied Sciences Düsseldorf, with a focus on typography and book design and the history of graphic design.

Lars Müller

Lars Müller, born 1955 in Oslo (Norway), designer and publisher. Since 1983, publishing activities with an international outlook in the fields of architecture, design, art, photography, and society.