Thomas Flechtner

News

News represents a further development of the much-acclaimed work of artist Thomas Flechtner. Whereas in Snow he looked at snow as a metaphor for timelessness, calm, distance, and loneliness, and in Bloom Flechtner used atmospherically condensed studies of plants to examine the boundless colorfulness and movement of grown nature, for his new project News Flechtner collected newspaper front pages over a period of one year, scattered plant seeds from very different countries over them, watered them, and, finally, exposed them to the sun. He recorded the way the “news” was gradually bleached and overgrown with plants in more than one hundred color photographs. Flechtner contrasts the anarchy of nature with the agenda of mankind, while also questioning the fleetingness of memory and the demands made on it in shaping today’s world.

News represents a further development of the much-acclaimed work of artist Thomas Flechtner. Whereas in Snow he looked at snow as a metaphor for timelessness, calm, distance, and loneliness, and in Bloom Flechtner used atmospherically condensed studies of plants to examine the boundless colorfulness and movement of grown nature, for his new project News Flechtner collected newspaper front pages over a period of one year, scattered plant seeds from very different countries over them, watered them, and, finally, exposed them to the sun. He recorded the way the “news” was gradually bleached and overgrown with plants in more than one hundred color photographs. Flechtner contrasts the anarchy of nature with the agenda of mankind, while also questioning the fleetingness of memory and the demands made on it in shaping today’s world.

Author(s): Thomas Flechtner

Design: Integral Lars Müller

35 x 50 cm, 13 ¾ x 19 ½ in

112 pages, 100 illustrations

Portfolio with printed-on newspaper pages in box

2013, 978-3-03778-318-4, German
English
CHF 98.00
Out of print

Thomas Flechtner

Thomas Flechtner, born in 1961 in Wintherthur, attended the photography class at the Ecole d' arts appliqués, Vevey and is threefold recipient of the Federal grant and support of the first photo-sponsorship of the Canton of Neuchâtel (2004).