The Light Pavilion by Lebbeus Woods and Christoph Kumpusch Cover
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Christoph a. Kumpusch (ed.)

The Light Pavilion by Lebbeus Woods and Christoph a. Kumpusch

For the Sliced Porosity Block in Chengdu, China 2007–2012 published by Lars Müller

The first built project and final creative work of artist and architect Lebbeus Woods (1940–2012), the Light Pavilion is transcendent architecture, a project that exemplifies the preoccupations of a consummate draftsman, thinker and educator.

Nestled within a mixed-use complex in Chengdu, China, this daring construction is an emancipated drawing, a light and shadow machine, a chromatic calendar, a fugue of steel, a dance of space and form. The pavilion’s dynamic geometry, perspective and sequence of spaces reframe perceptions of architecture and urbanism. Filled with drawings, detail specifications, and construction documentation, this book also features breathtaking photography by Iwan Baan; commentary by Zaha Hadid, Steven Holl, Thom Mayne, Neil Denari, and Eric Owen Moss; historical analysis by Mark Morris; and a touching epilogue by friend and project collaborator Christoph a. Kumpusch. A visionary design made intensely real, the pavilion offers a glimpse of the future as well as a catalogue of architecture’s past.

The first built project and final creative work of artist and architect Lebbeus Woods (1940–2012), the Light Pavilion is transcendent architecture, a project that exemplifies the preoccupations of a consummate draftsman, thinker and educator.

Nestled within a mixed-use complex in Chengdu, China, this daring construction is an emancipated drawing, a light and shadow machine, a chromatic calendar, a fugue of steel, a dance of space and form. The pavilion’s dynamic geometry, perspective and sequence of spaces reframe perceptions of architecture and urbanism. Filled with drawings, detail specifications, and construction documentation, this book also features breathtaking photography by Iwan Baan; commentary by Zaha Hadid, Steven Holl, Thom Mayne, Neil Denari, and Eric Owen Moss; historical analysis by Mark Morris; and a touching epilogue by friend and project collaborator Christoph a. Kumpusch. A visionary design made intensely real, the pavilion offers a glimpse of the future as well as a catalogue of architecture’s past.

Edited by Christoph a. Kumpusch

With photographs by Iwan Baan

Design: Christoph a. Kumpusch with restmuell/Christof Lang and Integral Lars Müller

24 x 24 cm, 9 ½ x 9 ½ in

88 pages, 82 illustrations

hardback

2013, 978-3-03778-309-2, English
Architectural Research Architectural Theory
CHF 15.00
Out of print

Christoph a. Kumpusch

Christoph a. Kumpusch is a New York-based architect and the principal of Foraward slash (/) c.a.k Productions. He is a professor of architecture at Columbia University’s Graduate School of Architecture, Planning and Preservation; and Pratt Institute.

Iwan Baan

Photo Iwan Baan

Iwan Baan (*1975 in Amsterdam) is an architecture and documentary photographer. He has worked for major architectural studios like SANAA, Rem Koolhaas/OMA, Herzog & de Meuron, Toyo Ito, and architects like Steven Holl and Zaha Hadid. His works are published regularly in architectural magazines and newspapers, among them Domus, a+u, The New Yorker, and The New York Times. In his photography, Baan focuses on the connection between architecture and the surrounding environment. Instead of isolating the built structure he embeds it in history and context.