The Light Pavilion by Lebbeus Woods and Christoph Kumpusch Cover
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Christoph a. Kumpusch (ed.)

The Light Pavilion by Lebbeus Woods and Christoph a. Kumpusch

For the Sliced Porosity Block in Chengdu, China 2007–2012 published by Lars Müller

The first built project and final creative work of artist and architect Lebbeus Woods (1940–2012), the Light Pavilion is transcendent architecture, a project that exemplifies the preoccupations of a consummate draftsman, thinker and educator.

Nestled within a mixed-use complex in Chengdu, China, this daring construction is an emancipated drawing, a light and shadow machine, a chromatic calendar, a fugue of steel, a dance of space and form. The pavilion’s dynamic geometry, perspective and sequence of spaces reframe perceptions of architecture and urbanism. Filled with drawings, detail specifications, and construction documentation, this book also features breathtaking photography by Iwan Baan; commentary by Zaha Hadid, Steven Holl, Thom Mayne, Neil Denari, and Eric Owen Moss; historical analysis by Mark Morris; and a touching epilogue by friend and project collaborator Christoph a. Kumpusch. A visionary design made intensely real, the pavilion offers a glimpse of the future as well as a catalogue of architecture’s past.

The first built project and final creative work of artist and architect Lebbeus Woods (1940–2012), the Light Pavilion is transcendent architecture, a project that exemplifies the preoccupations of a consummate draftsman, thinker and educator.

Nestled within a mixed-use complex in Chengdu, China, this daring construction is an emancipated drawing, a light and shadow machine, a chromatic calendar, a fugue of steel, a dance of space and form. The pavilion’s dynamic geometry, perspective and sequence of spaces reframe perceptions of architecture and urbanism. Filled with drawings, detail specifications, and construction documentation, this book also features breathtaking photography by Iwan Baan; commentary by Zaha Hadid, Steven Holl, Thom Mayne, Neil Denari, and Eric Owen Moss; historical analysis by Mark Morris; and a touching epilogue by friend and project collaborator Christoph a. Kumpusch. A visionary design made intensely real, the pavilion offers a glimpse of the future as well as a catalogue of architecture’s past.

Edited by Christoph a. Kumpusch

With photographs by Iwan Baan

Design: Christoph a. Kumpusch with restmuell/Christof Lang and Integral Lars Müller

24 x 24 cm, 9 ½ x 9 ½ in

88 pages, 82 illustrations

hardback

2013, 978-3-03778-309-2, English
Architectural Research Architectural Theory
CHF 15.00
Out of print

Christoph a. Kumpusch

Christoph a. Kumpusch is a New York-based architect and the principal of Foraward slash (/) c.a.k Productions. He is a professor of architecture at Columbia University’s Graduate School of Architecture, Planning and Preservation; and Pratt Institute.

Iwan Baan

Photo Iwan Baan

Iwan Baan (*1975) is a Dutch photographer based between Amsterdam and the U.S., known primarily for images that narrate the life and interactions that occur within architecture. His artistic approach has given matters of architecture an approachable and accessible voice, focusing on the perspectives of the everyday individuals who give meaning and context to the architecture and spaces that surround us. In 2012, he received the Golden Lion at the Venice Biennale for his work on the Torre David in Caracas, Venezuela, gaining him further international acclaim. Architects turn to Baan to give their work a sense of place. Baan’s first major retrospective of his globally renowned oeuvre is on show at the Vitra Design Museum in Weil am Rhein from 21 October 2023 – 3 March 2024.