Jun Aoki (ed.)

In-Between

What Future Awaits with Generative AI?

Advancements in generative AI are transforming the way we conceptualize consciousness. Using the Japan Pavilion exhibition at the 2025 Venice Architecture Biennale as a starting point, this publication offers a thought-provoking dialogue between architecture, artificial intelligence and humanity.

Imagining a near future when AI technology has further advanced, the Japan Pavilion stages a dialogue between the building’s constituent elements – the Hole, Wall Columns, Outer Walls, Brick Terrace, Pensilina, Tilted Loop Path and Yew Tree – and humans, as equals. Their conversation revolves around the future of the pavilion and a search for common ground. Behind-the-scenes reflections, critical essays and speculative writings expand on the themes of the exhibition and offer insights into a highly relevant topic.

Advancements in generative AI are transforming the way we conceptualize consciousness. Using the Japan Pavilion exhibition at the 2025 Venice Architecture Biennale as a starting point, this publication offers a thought-provoking dialogue between architecture, artificial intelligence and humanity.

Imagining a near future when AI technology has further advanced, the Japan Pavilion stages a dialogue between the building’s constituent elements – the Hole, Wall Columns, Outer Walls, Brick Terrace, Pensilina, Tilted Loop Path and Yew Tree – and humans, as equals. Their conversation revolves around the future of the pavilion and a search for common ground. Behind-the-scenes reflections, critical essays and speculative writings expand on the themes of the exhibition and offer insights into a highly relevant topic.

Book excerpt: "JPN@P4TY: A QUANTUM CATEGORICAL AFFFAIR" narrated by Alice_ch3n81

"(...) Almost everything was either an apology or a TED Talk. It was like the Biennale had become a repentance cathedral for architects, complete with confessional VR booths where you could cry about carbon.

In-Between declarations of futures and footnoted guilt, the Japan Pavillion appeared – quietly, insistenly. Lowercase, airy, unassuming – like a polite shrug in architectural form. But don't be fooled. Behind its Yew tree veil and soft-spoken elegance, something weird was going on (...)"

 

 

Author(s):

Edited by Jun Aoki

With photographs by Yurika Kono

With contributions by Jun Aoki, Tamayo Iemura, Asako Fujikura, Takahiro Ohmura, Toshikatsu Kiuchi, Taichi Sunayama, Kei Hirakura, Rurihiko Hara, Ana Luisa Soares, Filipe Magalhães, Yoko Nose, Shigeru Matsui, Mohsen Mostafavi, Miro Roman

Design: Akiko Wakabayashi

15.5 x 22.5, 6 x 9

272 pages, 150 illustrations

paperback

2025, 978-3-03778-801-1, English
CHF 30.00
New

Jun Aoki

Jun Aoki (*1956) is an architect. He graduated with a master’s degree in architecture from the University of Tokyo in 1982 and founded Jun Aoki & Associates (now AS) in 1991. He is the director of the Kyoto Municipal Museum of Art / Kyoto City KYOCERA Museum and professor emeritus at Tokyo University of the Arts. He has worked on projects like the Mamihara Bridge, the Fukushima Lagoon Museum and the Aomori Museum of Art.