This illustrated essay traces the history of one of the leading exponents of Swiss Graphic Design in the 1950s and 1960s. Josef Müller-Brockmann’s posters have become world famous for their ability to convey information with great visual tension, a sense of drama and an extreme economoy of means. He created a body of work in which timeless principles of visual communication are inscribed. In addition to the posters the image part presents examples of logotypes, appearances and exhibitions as well as numerous lesser-known works in chronological order.
Edited by Lars Müller
Design: Integral Lars Müller