Our aim is that, taken together, the new publications of any one year should give a more or less clear picture of the spectrum of our program. This year the picture is crystal clear: In all subject areas we have achieved a selection that does full justice to our guiding principle of pinning down facets of cultural debates and revealing social contexts. The new titles provide insights into seminal themes of our times, discuss design processes, social questions, cultural phenomena, and they document outstanding positions in design and art. These are specialties that are not only for experts, but for an interested audience that shares our fascination with multifaceted and quality debate.

  1. Noonday limited edition
    Noonday limited edition

    The artist Annelies Štrba, best known for photographs of her children, now brings us in Noonday pictures of her grandchildren. In this “noonday dream” (a reference to Emily Brontë), we encounter a host of fairytale creatures, playing, sleeping, or dreaming. The viewer is drawn in and becomes part of this reverie, which is interspersed with images of everyday family life, travel, and game-playing. While the images in the artist’s previous series, Shades of Time (1997), were raw and direct, Noonday glows with the ease of a summer afternoon and yet still leaves us with the melancholy certainty that the days of childhood pass by much too fast.

    17.3 × 24 cm, 6 ¾ × 9 ½ in, 336 pages, hardcover (2015)
    in embossed box with signed picture (6 x 9.5 in)

    ISBN 978-3-03778-470-9

    Regular Price: €280.00
    Special Price: €240.00
  2. A Book of Things
    A Book of Things

    Jasper Morrison has the ability to bestow things with a distinctive style. His signature style is evident in many of the everyday objects that surround us. His repertoire of essential designs is characterised by simplicity yet complexity, as well as a sense of poetry and humour. Morrison works on a global scale and is one of the most influential product designers in the world today. A Book of Things is a collection of products and projects across the broad spectrum of his activities and demonstrates the continuity of his interests and methods, which he describes in succinct texts. Following on from Everything but the Walls (2002), A Book of Things is a continuation of Morrison’s intense examination of the world of things that accompany our lives and shape our environment.

    20 x 27 cm, 312 Seiten, Hardcover (2015)

    ISBN 978-3-03778-463-1, e

    €59.00 / $59.00 / £43.00
  3. Shanshui City
    Ma Yansong
    Shanshui City

    Design: Kenya Hara

    Shanshui City, the latest book from MAD Architects’ founder and principal partner, Ma Yansong, received an international release in October 2014. The publishing of the book coincides with the 10th anniversary of the founding of MAD Architects. Ma’s poetic, yet precise language details the development and practice of design philosophy “Shanshui City”, at the core of which is the idea that, “architects should delineate a new ideal for the city of the future, to gradually construct an urban environment that embodies both the convenience of the modern city and the ancient Eastern affinity for the natural world.” “Shanshui” is an idealized worldview developed by Chinese through extended contact with the natural world, a worldview that integrates the everyday life of humanity with the impulse to seek spiritual refuge in nature. This “Shanshui City” is not simply an eco-city, or a garden-city, nor does it imply modeling the city’s architecture on natural forms such as mountains. It represents humanity’s affinity for the natural world, and our quest for inner fulfillment, as expressed in philosophies of the East.

    17,8 x 31 cm, 7 x 12 ¼ in, 208 pages, 99 illustrations, hardcover (2014)

    ISBN 978-3-03778-457-0

    €49.00 / $65.00 / £39.00
    Ma Yansong

    MAD Architects’ founder and principal partner.

  4. OfficeUS Atlas (Repository)
    OfficeUS Atlas (Repository)

    Edited by Eva Franch i Gilabert, Ana Miljački, Ashley Schafer, Michael Kubo

    The OfficeUS Atlas collects the exhibition research in an archive of nearly 1000 architectural projects. Organized according to individual firm histories, the Atlas documents the development of U.S. architectural offi ces working abroad from 1914 to the present. Offices and their projects are illustrated by over 1200 photographs and architectural drawings.

    16 x 24 cm, 6¼ × 9½ in, 1250 Seiten, ca. 2000 Abbildungen, Softcover (2014)

    ISBN 978-3-03778-438-9, English

    €55.00 / $69.00 / £45.00
  5. Nicholas Hawksmoor
    Nicholas Hawksmoor
    London Churches

    Edited by Mohsen Mostafavi

    Photographs by Hélène Binet

    British architect Nicholas Hawksmoor (approx. 1661–1736) is recognized as one of the major contributors to the traditions of British and European architectural culture. Nevertheless, there is insufficient visual documentation and analysis of his work. Nicholas Hawksmoor: London Churches reconsiders his architecture in relation to urbanism. The publication focuses on a series of important London churches the architect designed during the early part of the eighteenth century. The key distinguishing features of these churches are their spires, each designed with different qualities and motifs. While Hawksmoor was inspired by the ancient history of architecture, his work was considered radical and contemporary in its day.


    Photographer Hélène Binet was specially commissioned to document the various aspects of the seven remaining London churches. Her immaculate black and white photographs demonstrate the beauty of Hawksmoor’s architecture with special attention to the variety of scales, sites, interiors, textures, and materials.

    Design: Integral Lars Müller

    24 × 30 cm, 9½ × 11 ¾ in, 168 pages, approx. 50 illustrations, hardcover (2013)

    ISBN 978-3-03778-348-8, English

    €39.00 / $50.00 / £30.00
  6. Designing Design
    Kenya Hara
    Designing Design

    Free shipping within Europe!

    Representing a new generation of designers in Japan, Kenya Hara (born 1958) pays tribute to his mentors, using long overlooked Japanese icons and images in much of his work. In Designing Design, he impresses upon the reader the importance of “emptiness” in both the visual and philosophical traditions of Japan, and its application to design, made visible by means of numerous examples from his own work: Hara for instance designed the opening and closing ceremony programs for the Nagano Winter Olympic games 1998. In 2001, he enrolled as a board member for the Japanese label MUJI and has considerably moulded the identity of this successful corporation as communication and design advisor ever since. Kenya Hara, among the leading design personalities in Japan, has also called attention to himself with exhibitions such as Re-Design: the Daily products of the 21st Century of 2000.

    16,5 x 24 cm, 6 ½ x 9 ½ in, 472 pages, softcover reprint (2014)

    ISBN 978-3-03778-450-1

    €45.00 / $55.00 / £35.00
    Kenya Hara

    Kenya HARA, Graphic Designer
    Born in 1958. Graphic designer Kenya Hara served as the director of the Tokyo Fiber exhibition. He specializes in designing not objects but facts or events, such as identifications and communications. He produced the exhibition “RE-DESIGN_Daily Products of the 21st Century” in 2000, and through it he showed that the most marvelous sources of design were to be found in the context of daily life. In 2002, he became a member of the advisory board of MUJI and also took over as art director. In 2004, he produced the exhibition “HAPTIC_Awakening the Senses”. With this exhibition he demonstrated that within the contemporary context of design, in which designers tend to find their motivations spurred on by high technology, in fact vast resources for creation lay dormant in the human senses. He has directed work related to national events, such as the programs for the opening and closing ceremonies of the Nagano Olympics, and the official posters of the Aichi Expo 2005. Based in Tokyo, he has been seeking future communication resources he finds within Japanese culture and technology. His book Designing Design has been translated into several Asian languages, and in 2007 he largely rewrote it for translation into English, for publication by Lars Müller Publishers, Switzerland. At present he is the representative of Nippon Design Center Inc. and Professor of Musashino Art University.

  7. Young-Old
    Deane Simpson
    Young-Old
    Urban Utopias of an Aging Society

    Design: Studio Joost Grootens

    Young-Old examines contemporary architectural and urban mutations that have emerged as a consequence of one of the key demographic transformations of our time: aging populations. Distinguishing between different phases of old age, the book identifies the group known as the “young old” as a remarkable petri dish for experiments in subjectivity, collectivity, and environment. In investigating this field of latent urban and architectural novelty, Young-Old asserts both the escapist and emancipatory dimensions of these practices.

    Richly illustrated with drawings, maps, and photographs, the volume documents phenomena ranging from the continuous, golf-cart-accessible urban landscapes of the world’s largest retirement community in Florida and the mono-national urbanizaciones of “the retirement home of Europe” on Costa del Sol, to the Dutch-themed residential community at Huis Ten Bosch in the south of Japan.

    17 x 24 cm, 6 ¾ x 9 ½ in, 576 pages, approx. 270 illustrations, hardcover (2015)

    ISBN 978-3-03778-350-4, English

    €40.00 / $50.00 / £35.00
    Deane Simpson DEANE SIMPSON is an architect and urban studies expert who teaches at the Royal Danish Academy School of Architecture Copenhagen and at BAS Bergen, where he is professor of architecture and urbanism.
  8. The Inevitable Specificity of Cities
    The Inevitable Specificity of Cities

    Edited by ETH Studio Basel

    What is a city? What determines its specificity? What shapes its quality? The evolution of the contemporary city does not follow a linear movement. It is shaped by transformation processes that are directed toward often distant and conflicting goals. Even though cities are inscribed into global processes and networks, they develop their own specific ways of dealing with these conditions. They tend to produce and reproduce their own specificity, their own patterns and character traits. Using the categories of territory, power, and difference—also lending the book its structure—the texts analyze different case studies of cities and urbanized territories, ranging from the Canary Islands to Hong Kong and Nairobi, unfolding the distinctiveness of their physical and social existences.

    With contributions by Roger Diener, Mathias Gunz, Manuel Herz, Jacques Herzog, Rolf Jenni, Marcel Meili, Shadi Rahbaran, Christian Schmid, and Milica Topalovic.

    Design: Integral Lars Müller

    17.6 x 24 cm, 6 ¾ x 9 ½ in, approx. 320 pages, approx. 300 illustrations, hardcover (2014)

    ISBN 978-3-03778-374-0, English

    €50.00 / $65.00 / £40.00
  9. Noonday
    Annelies Strba
    Noonday

    The artist Annelies Štrba, best known for photographs of her children, now brings us in Noonday pictures of her grandchildren. In this “noonday dream” (a reference to Emily Brontë), we encounter a host of fairytale creatures, playing, sleeping, or dreaming. The viewer is drawn in and becomes part of this reverie, which is interspersed with images of everyday family life, travel, and game-playing. While the images in the artist’s previous series, Shades of Time (1997), were raw and direct, Noonday glows with the ease of a summer afternoon and yet still leaves us with the melancholy certainty that the days of childhood pass by much too fast.

    Design: Integral Lars Müller

    17.3 × 24 cm, 6 ¾ × 9 ½ in, 336 pages, hardcover (2015)

    ISBN 978-3-03778-388-7, Englisch

    €49.00 / $65.00 / £39.00
  10. Landscape as a Cabinet of Curiosities
    Landscape as a Cabinet of Curiosities
    In Search of a Position

    Edited by Rebecca Bornhauser and Thomas Kissling, Chair of Günther Vogt, Department of Architecture ETH Zürich

    Picking up on architecture’s tradition of teaching professional experience to students through conversation, this book provides insight into the ideas, methods, and memories of Günther Vogt, and questions the attitude that this innovative landscape architect adopts towards his profession. With reference to five different locations, Günther Vogt speaks about current themes of landscape architecture and its relationship to architecture and the city, about his teaching at the ETH Zürich, and about the work of Vogt Landscape Architects; he describes his perception of the landscape as a cabinet of curiosities, tells how he collects various phenomena and individual elements, relates them to each other and rearranges them. And in the reader’s mind’s eye unfolds a cosmos, in which the lack of wholeness of nature seems to be a gain rather than a loss.

    12 × 19 cm, 4¾ × 7½ in, 228 pages, 64 illustrations, hardcover (2014)

    ISBN 978-3-03778-304-7, English
    ISBN 978-3-03778-303-0, German

    English,
    €24.00 / $32.00 / £20.00

    German,
    €24.00 / $32.00 / £20.00

  11. Max Bill's View of Things
    Max Bill's View of Things
    Die gute Form: An Exhibition 1949

    Edited by Lars Müller in collaboration with the Museum für Gestaltung Zürich

    The international touring exhibition Die gute Form was conceived by Max Bill on behalf of the Swiss Werkbund and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 display panels, designed by Bill, presenting a selection of consumer goods from all over the world, chosen by Bill as examples of good design. The show caused some upset in Switzerland and fuelled heated debates abroad. But it also exerted a wide-reaching influence – for example, upon the way in which consumer goods were perceived.
    This publication documents Bill’s initiative in reproductions of the original display panels and layout plans for the venues visited by the exhibition, and places Die gute Form in a theoretical context that considers its reception and impact within the history of design.

     

    21 × 29,7 cm, 8 ½ × 11 ¾ in, 160 pages, hardcover (2014)

    ISBN 978-3-30778-372-6, English
    ISBN 978-3-30778-339-9, German

    English,
    €39.00 / $49.00 / £29.90

    German,
    €39.00 / $49.00 / £29.90

  12. SQM: The Quantified Home
    SQM: The Quantified Home

    Edited by Space Caviar (Joseph Grima, Andrea Bagnato, Tamar Shafrir)

    The way we live is rapidly changing under pressure from multiple forces—financial, environmental, technological, geopolitical. What we used to call home may not even exist anymore, having transmuted into a financial commodity of which the square meter is the basic unit. Yet, domesticity and the domestic space ceased long ago to be present in the architectural agenda.
    SQM
    , produced for the 2014 Biennale Interieur in Kortrijk, Belgium, charts the scale of this change using data, fiction, and a critical selection of homes and their interiors—from Osama bin Laden’s compound to apartment living in the age of Airbnb.

    With original texts by:
    Rahel Aima, Aristide Antonas, Gabrielle Brainard and Jacob Reidel, Keller Easterling, Ignacio González Galán, Joseph Grima, Hilde Heynen, Dan Hill, Sam Jacob, Alexandra Lange, Justin McGuirk, Joanne McNeil, Alessandro Mendini, Jonathan Olivares, Marina Otero Verzier, Beatriz Preciado, Anna Puigjaner, Catharine Rossi, Andreas Ruby, Malkit Shoshan, Bruce Sterling

    Design by Folder (Marco Ferrari, Elisa Pasqual)

    17 x 24 cm, 6 ¾ x 9 ½ in, 304 pages, 140 illustrations, paperback with dust jacket (2014)

    The dust jacket is screen-printed on real wallpaper in a variety of different patterns, randomly mixed. It is not possible to choose a specific pattern.

    ISBN 978-3-03778-453-2, English

    €35.00 / $50.00 / £30.00
  13. It was always there, it's just grown stronger
    Christian Vogt
    It was always there, it's just grown stronger

    Over the now more than forty-five years that he has been studying and exploring photography, Christian Vogt has discovered new visual vocabularies again and again. In his new work, consisting almost exclusively of contrasting pairs of pictures, he continues to question the relationship between visible reality and its photographic reproduction, between image and text, between seeing and knowing. Using a pinhole camera and modern technology without the intervention of digital manipulation, he deals with the “necessary nonsense,” with unifying opposites, with actual and supposed paradoxes, defining some things through exploration and allowing others to remain undefined.

    24 x 16,5 cm, 9 ½ x 6 ½ in, 144 pages, hardcover (2014)

    ISBN 978-3-03778-455-6, English

    €25.00 / $40.00 / £25.00
    Christian Vogt

    CHRISTIAN VOGT was born in Basel in 1946. His works are shown in renowned museums, galleries, and institutions around the world. Vogt is the author or co-author of numerous books, and catalogues, and the subject of many others worldwide.

  14. Sensing the Future: Moholy-Nagy, Media and the Arts
    Oliver Botar
    Sensing the Future: Moholy-Nagy, Media and the Arts

    Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. Sensing the Future: Moholy-Nagy, Media and the Arts considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key fi gure in the history of Modernism. Moholy-Nagy felt that people needed guidance to cope with the onslaught of sensory input in an increasingly technologized, mediatized, hyper-stimulating environment. His ideas informed media theorists such as Walter Benjamin, John Cage, Sigfried Giedion, and Marshall McLuhan, who anticipated digital culture as it emerged. Should we then regard Moholy-Nagy as a pioneer of the digital? His aesthetic engagement with the technology/body problematic broached the notions of immersion, interactivity and bodily participation, innately offering a critique of today’s disembodiment. Was he then both a pioneer and a proto-critic of the digital? This book is intended to introduce this seminal fi gure of post-medial practices to younger generations and, by including responses to his work by contemporary artists, to refl ect on the ways in which his work is relevant to artistic practice now.

    21 × 29,7 cm, 8 ¼ × 11 ¾ in, 192 pages, hardcover (2014)

    ISBN 978-3-03778-433-4, English
    ISBN 978-3-03778-434-1, German

    English,
    €35.00

    German,
    €35.00

    Oliver Botar

    OLIVER A. I. BOTAR is Professor of Art History at the University of Manitoba in Canada. He is the author of Technical Detours: The Early Moholy-Nagy Reconsidered (2006, in Hungarian, 2007) and A Bauhäusler in Canada: Andor Weininger in the 50s (2009), and is co-editor of Biocentrism and Modernism (with Isabel Wünsche, 2011) and Telehor (with Klemens Gruber, 2013). He has published numerous articles, curated exhibitions and has lectured widely.

  15. 100 Years of Swiss Design
    100 Years of Swiss Design

    Edited by the Museum für Gestaltung Zürich, Christian Brändle, Renate Menzi, Arthur Rüegg

    Design: norm

    100 Years of Swiss Design offers a new perspective on Switzerland’s achievements in furniture and product design. The book presents the essential historical designs in chronological sequence, from the regional roots of the early days around 1900 to the globalized network of today. Thirty essays by known experts shed light on themes typical of their times in word and image. Beside the design process, manufacturing techniques, distribution, and reception, the changing roles of the designer — from mediator between form and function, entrepreneur, social worker, to branding architect — are examined. Featuring one hundred key works from the Designsammlung, the world’s largest collection of Swiss design, this reference work is the first to present and discuss a comprehensive show of Swiss designers’ achievements, from the anonymous to the famous.

    With essays by the editors and Claude Enderle, Meret Ernst, Fredi Fischli, Hans Ulrich Gumbrecht, Sebastian Hackenschmidt, Christof Kübler, Peter Lepel, Claude Lichtenstein, Anne-Claire Schumacher, Christina Sonderegger, Klaus Spechtenhauser, Stanislaus von Moos, and Sophie Wirth-Brentini.

    Design: norm

    21,6 x 32,4 cm, 8½ × 12¾ in, 352 pages, approx. 700 illustrations, hardcover (2014)

    ISBN 978-3-03778-441-9, English
    ISBN 978-3-03778-440-2, German

    English,
    €55.00 / $70.00

    German,
    €55.00 / $70.00

  16. Neubau Forst Catalogue
    Stefan Gandl
    Neubau Forst Catalogue

    Developed and edited by Neubau

    http://neubauforst.com/

    Neubau Forst Catalogue is the 432-page print catalogue of a digital collection of tree silhouettes and sculptures seen at different seasons. Working by hand, the Neubau designers digitally removed the trees from their original Berlin surroundings and thereby crafted a body of visual material whose scope, outstanding quality of detail and excellent image resolution sets it clearly apart from conventional tree libraries compiled with autotracing tools. The trees, which were systematically photographed in summer and winter over several years, assume a timeless validity through Neubau’s process of selection and are thus universally applicable for future visualizations.

    From the existing stand-alone tree objects, which can be placed against both dark and light backgrounds of all kinds, Neubau has furthermore derived individual “tree modules”. These modules can be combined with the ready-to-use trees in an endless number of ways. Alongside detailed information about tree species, size, location, year of planting and file format, the catalogue contains also numerous impressive examples of how these images can be used.

    The corresponding Neubau Forst Archive, consisting of 683 individual elements, is the digital library of which architects, designers, graphic designers and illustrators have previously only dreamed. Each book contains an individual download code that guarantees you an exclusive discount of 25% on purchases from the data archive in the standard image (TIFF) and vector (EPS) format. 

    24 x 28 x 4.7 cm, 9.5 x 11 x 1.98 in, 432 pages, 765 full-color illustrations (315 HD-bitmap tree masks, 327 HD-bitmap tree modules, 40 HD vector trees, 72 illus. of bark, 144 documentary illus.), paperback (2014)

    ISBN 978-3-03778-435-8, Englisch

    €50.00 / $70.00 / £45.00
    Stefan Gandl STEFAN GANDL was born in 1969. Digital fonts, geometric patterns, and pictograms are the major building blocks that the Austrian designer has used to construct not only his studio, Neubau, in Berlin, but also an entirely new realm of signs, which he and his international team are constantly expanding.
  17. Loose Ends
    Maria Giuseppina Grasso Cannizzo
    Loose Ends

    Edited by Sara Marini in collaboration with aut. architektur und tirol

    Available in the US and Canada: September 2014

    Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in Vittoria, a small city in southern Sicily, where she realizes the majority of her architecture, including many transformations of historical buildings, single and multiple-family housing, or projects such as the control tower in Marina di Ragusa. Grasso Cannizzo’s special design methods are based on her analyses of the urban context and the landscape, as well as her examination of the specific “story” behind each project. She translates the knowledge gained into minimal, self-aware, and sometimes radical concepts, which are ultimately always open to any changes that life and the passage of time may bring. At the same time, this first comprehensive monograph is also a conceptual manifesto by Grasso Cannizzo. Collected in a black box, loose prints provide insight into her most important buildings and make it possible to see the architect’s general design methods.

    With texts by Raoul Buntschoten, Pippo Ciorra, Francesco dal Co, Marco de Michelis, Rainer Köberl, Sara Marini

    With photographs by Hélène Binet, Armin Linke, and Giulia Bruno

    16,8 x 24 cm, 6 ½ × 9 ½ in, 380 pages, approx. 900 illustrations, box (2014)

    ISBN 978-3-03778-451-8, e

    €40.00 / $50.00 / £35.00
    Maria Giuseppina Grasso Cannizzo

    MARIA GIUSEPPINA GRASSO CANNIZZO was born in 1952. She studied architecture at the University of Rome, where she also taught from 1974 to 1980. Today she lives and works in Sicily.

  18. 100 Years of Swiss Graphic Design
    100 Years of Swiss Graphic Design

    Edited by Christian Brändle, Karin Gimmi, Barbara Junod, Christina Reble, Bettina Richter, and Museum of Design Zürich

    100 Years of Swiss Graphic Design takes a fresh look at Swiss typography and photo-graphics, posters, corporate image design, book design, journalism and typefaces over the past hundred years. With illuminating essays by prominent experts in the field and captivating illustrations, this book, designed by the Zürich studio NORM, presents the diversity of contemporary visual design while also tracing the fine lines of tradition that connect the work of different periods. The changes in generations and paradigms as manifested in their different visual languages and convictions are organized along a timeline as well as by theme. The various fields of endeavor and media are described, along with how they relate to advertising, art, and politics. Graphic design from Switzerland reflects both international trends and local concerns. High conceptual and formal quality, irony and wit are its constant companions. A new, comprehensive reference work on Swiss design.

    With Essays by the editors and Hans-Rudolf Bosshard, Christoph Bignens, Jürgen Döring, Meret Ernst, Ulrike Felsing, Roland Früh, Ariel Herbez, Richard Hollis, Martin Jaeggi, Andres Janser, Roxane Jubert, Urs Lehni, Claude Lichtenstein, Kerry William Purcell, François Rappo, Carol Ribi, Jörg Stürzebecher, and Ruedi Widmer.

    Design: norm

    20.6 × 30.9 cm, 8 × 12 in, 384 pages, approx. 600 illustrations, hardcover (2013)

    ISBN 978-3-03778-399-3, English
    ISBN 978-3-03778-352-8, German

    English,
    €55.00 / $70.00 / £45.00

    German,
    €55.00 / $70.00 / £45.00

  19. Place and Displacement
    Place and Displacement
    Exhibiting Architecture

    Edited by Thordis Arrhenius, Mari Lending, Wallis Miller, Jéremie Michael McGowan

    Seemingly immobile and durable, architecture remains a challenge in the modern world of collecting and exhibiting. From the late eighteenth century onward, divergent conventions of display have been confl ated with urgent discussions of how material culture is handed down, distributed, appropriated, and evaluated. Place and Displacement: Exhibiting Architecture investigates historical and contemporary practices of displaying architecture, whether in full scale or as fragments, models, or two-dimensional representations. Exploring questions of circulation and temporality, issues of institution and canon, and the discourse and politics of architectural spaces on exhibit, the book’s essays discuss the ambiguous status of architecture as an object of display. Contributions from leading scholars in the new research field of architectural exhibitions reveal the centrality of the exhibition in defining and redefining the notion of architecture and its history.

    16,5 x 24 cm, 6 ½ x 9 ½ in, 256 pages, approx. 60 illustrations, paperback (2014)

    ISBN 978-3-03778-416-7, e

    €40.00 / $50.00 / £35.00