We hope all our publications will enjoy a due success. Many are long sellers. Some are bestsellers on the international market. Of these we are especially proud.

  1. Signs for Peace
    Signs for Peace
    An Impossible Visual Encyclopedia

    Edited by Ruedi Baur and Vera Baur Kockot, Design2context

    Can one visualize peace? Are there signs, symbols, and images that present a positive image of peace as opposed to receiving their meanings in opposition to war? Over several years of research, the Design2context Institute has intensively examined the representation and representability of peace and has compiled a comprehensive collection of images. In order to include a number of historical, cultural, and political perspectives, the archival aspect is supplemented by workshops in crisis regions. The encyclopedia—which, as new sociopolitical situations continue to arise and call for new pictures, must inevitably remain incomplete—provides a broad overview of the iconography of peace, and is also intended to assist in gaining an understanding of the concept. This book represents a significant contribution to future discussions on the need and desire for peace in political and social life.

    Design: Megan Hall

    16.5 x 24 cm, 6 ½ x 9 ½ in, 600 pages, 1762 illustrations, paperback (2013)

    ISBN 978-3-03778-243-9, English

    €40.00 / $55.00 / £35.00
  2. Encyclopedia of Flowers
    Winner 50 Books/50 Covers Competition 2012
    Encyclopedia of Flowers
    Flower Works by Makoto Azuma, photographed by Shunsuke Shiinoki

    Edited by Kyoko Wada

    Encyclopedia of Flowers is a visual exploration of the breathtaking floral arrangements by Makoto Azuma—encounters of unusual, sometimes exotic plants that wouldn’t typically occur in nature. With his meticulously composed photographs,
    Shunsuke Shiinoki exposes the flowers’ tenuous existence, their fragile forms, continuous metamorphoses, and inevitable decay.

    In a contemporary manner, Encyclopedia of Flowers immerses the reader in a universe of extraordinary beauty while at the same time addressing dichotomies such as durability and vanity, artificiality and nature, hybrid culture and environmental change. This volume by the Japanese “haute-couture” florists includes an introduction by Makoto Azuma and an index identifying all of the more than 2,000 featured species with their binomial names.

    Design: Kenya Hara

    16.5 × 24.8 cm, 6 ½ × 9 ½ in, 512 pages, 203 color illustrations, paperback in a transparent slipcase (2012)

    ISBN 978-3-03778-313-9, English

    €58.00 / $85.00 / £50.00
  3. Torre David
    Winner 50 Books/50 Covers Competition 2012
    Torre David
    Informal Vertical Communities

    Edited by Alfredo Brillembourg and Hubert Klumpner, Urban-Think Tank Chair of Architecture and Urban Design, ETH Zürich

    Photographs by Iwan Baan

    Torre David, a 45-story skyscraper in Caracas, has remained uncompleted since the Venezuelan economy collapsed in 1994. Today, it is the improvised home to more than 750 families living in an extra-legal and tenuous squat, that some
    have called a “vertical slum.”

    Urban-Think Tank, the authors of Torre David: Informal Vertical Communities, spent a year studying the physical and social organization of this ruin-become home. Richly illustrated with photographs by Iwan Baan, the book documents the
    residents’ occupation of the tower and how, in the absence of formal infrastructure, they organize themselves to provide for daily needs, with a hair salon, a gym, grocery shops, and more. The authors of this thought-provoking work investigate informal vertical communities and the architecture that supports them and issue a call for action: to see in informal settlements a potential for innovation and experimentation, with the goal of putting design in service to a more equitable and sustainable future.

    Design: Integral Lars Müller

    16.5 x 24 cm, 6 ½ × 9½ in, 416 pages, 406 illustrations, hardcover (2013)

    ISBN 978-3-03778-298-9, English

    €45.00 / $60.00 / £38.00
  4. Imagining the House
    The Most Beautiful Swiss Books 2012
    Wang Shu
    Imagining the House

    Buildings by Chinese architect Wang Shu—this year’s winner of the Pritzker Prize—feature clear and simple contemporary designs that make use of traditional methods and materials. The reuse of building materials is characteristic of his buildings.

    Shu’s design process always begins with an intense study of the location. The architect spends as long as possible on the site, absorbing its atmosphere. He then produces drafts in the form of hand-drawn sketches, creating them in relatively quick succession. Imagining the House follows this process in various buildings. Photographic documentation of the locations elucidate Shu’s on-site research. The reproductions of drawings in this book demonstrate how the designs change and become more concrete over the course of the process. The book provides unique insights into the work of an architect who has hitherto received little attention in Europe, thereby addressing a considerable omission in the publishing world.

    Design: Integral Lars Müller

    24 × 29.7 cm, 8 ¼ × 9 ½ in , 168 pages, 68 drawings, 15 photographs, paperback, Japanese binding (2012)

    ISBN 978-3-03778-314-6, English

    €50.00 / $65.00 / £45.00
    – Sanhe House, Nanjing, China, 2003–
    – Xiangshan Campus, China Academy of Art, Hangzhou, China (second phase), 2004–2007
    – Ningbo History Museum, Ningbo, China, 2003–2008
    – Expo 2010 Shanghai, Ningbo Tengtou Pavilion, Shanghai, China, 2009–2010
    – Tiles Hill: new reception center for the Xiangshan Campus, Hangzhou, China, 2010–
    – Tea House at Linyin Buddhist Temple, Hangzhou, China (still in design process), 2009–
    – Buddhist Institute Library of Hangzhou,
    Hangzhou, China, 2011–
  5. For Climate's Sake!
    For Climate's Sake!
    A Visual Reader of Climate Change

    Edited by René Schwarzenbach, Christian Rentsch, Klaus Lanz, and Lars Müller, in collaboration with the Department of Environmental Sciences, ETH Zürich

    For Climate’s Sake! sets itself the goal of conveying the knowledge revealed by current climate research in a manner that is both concise and appealing. It differs from other books on climate change principally in the way it is conceived as a visual reader that deliberately uses the effectiveness and power of the image to present the theme in a graphic way. Extensive series of images with large photographs and informative diagrams accompany well-researched essays on and around the themes of climate history, research and policy and thus offer an in-depth examination.

    The book provides insights into the history of the earth’s climate and reveals the factors that are responsible for climate change. It poses questions and provides answers: why is the earth becoming warmer? What are the consequences we must reckon with? What can we do against this? Who determines the future? As both a volume of illustrations and a reader For Climate’s Sake! Is directed at all those who want to equip themselves with knowledge and understanding to confront what is probably our planet’s most pressing problem.

    Design: Integral Lars Müller

    16.5 x 24 cm, 6 ½ x 9 ½ in, 576 pages, 307 illustrations, hardcover (2012)

    ISBN 978-3-03778-245-3, English
    ISBN 978-3-03778-244-6, German

    English,
    €45.00 / $65.00 / £40.00

    German,
    €45.00 / $65.00 / £40.00

    Climate History: Between Fireball and Ice Desert
    Climate System: Why the World is Getting Warmer
    Climate Consequences: Risks and "Residual Risks"
    Pathways in to the Future: Reality and Vision
    Global Climate Politics: Between Power and Powerlessness
  6. Steven Holl – Scale
    Steven Holl
    Steven Holl – Scale
    An Architect's Sketch Book

    Edited by Lars Müller

    Following Written in Water (2002), this is the second publication devoted to Steven Holl’s legendary watercolors. Four hundred watercolors represent the creative process of this renowned and influential American architect and reveal his highly personal method developed over many years, containing preliminary ideas and sketches of all major projects.

    Holl is known for his sculptural architecture and his virtuosic use of light, and watercolors are the ideal means to visualize these characteristic aspects of his work. At a time of rapidly changing technology in the service of architectural design, these watercolors become spectacular examples of a low-tech method. The results are invariably original works of art. The water colors are juxtaposed with photographs of the built architecture and emphasize the crucial aspect of scale.

    Design: Integral Lars Müller

    Design: Integral Lars Müller

    16,8 x 12,6 cm, 6 ½ x 5 in, 480 pages, 400 illustrations, hardcover (2012)

    ISBN 978-3-03778-251-4, English

    €40.00 / $55.00 / £38.00
  7. Five North American Architects
    Five North American Architects
    An Anthology by Kenneth Frampton

    In cooperation with Graduate School of Architecture, Planning and Preservation, Columbia University

    Five North American Architects brings together five architectural practices that, while all distinct, share a particular sensibility for the impact of craftsmanship and climate on the generation of form, as well as a concern for the expressive tactility of material and the effect of light on the articulation of structure.

    Designed with a passion for detail, the book offers an indepth survey of recent work by Steven Holl (New York), Rick Joy (Tucson), John and Patricia Patkau (Vancouver), Stanley Saitowitz (San Francisco), and Brigitte Shim and Howard Sutcliffe (Toronto).

    The regional specificity of the work is considered against a larger North American context, allowing one to assess the practice of its architecture today.

    Design: Integral Lars Müller

    Design: Integral Lars Müller

    16.5 × 24 cm, 6 ½ × 9 ½ in, approx. 160 pages, approx. 200 illustrations, paperback (2012)

    ISBN 978-3-03778-256-9, English

    €38.00 / $50.00 / £35.00
  8. Lufthansa and Graphic Design
    A5/05
    Lufthansa and Graphic Design
    Visual History of an Airline

    Edited by Jens Müller und Karen Weiland, labor visuell at the University of Applied Sciences Düsseldorf, Department of Design

    Deutsche Lufthansa is one of the most important airlines in the world. Just as long and varied as ist history is the history of its visual identity. The beginning of the 1960s witnessed one of the most important developments in corporate communication. The company employed the designer Otl Aicher and his Gruppe E5 student group at the Hochschule für Gestaltung Ulm to develop a new visual identity for Lufthansa. Largely implemented beginning in 1963, today it ranks as one of the most groundbreaking corporate design solutions of the twentieth century.

    With a particular focus on its famous corporate identity, the design and advertising history of Deutsche Lufthansa from the 1920s until today is comprehensively documented here for the first time. Alongside numerous illustrations from the corporate archive and background articles and interviews, this volume contains reproductions from the Ulm study of 1962 and the first corporate design manual for Lufthansa from 1963.

    Design: Jens Müller, Karen Weiland

    14.8 × 21 cm, 5 ¾ × 8 ¼ in, 128 pages, approx. 300 illustrations, paperback (2012)

    ISBN 978-3-03778-267-5, German/English

    €28.00 / $35.00 / £25.00
  9. Gigon/Guyer Architects
    Gigon/Guyer Architects
    Works & Projects 2001–2011

    Since it was set up in 1989 the office of Gigon/Guyer architects has conceived an impressive series of projects. The most important designs arried out include museums, housing projects, and office buildings. The recently completed Prime Tower and its annex buildings on the Maag site in Zürich have been internationally acclaimed.

    The monograph provides a sharply focused insight into how Annette Gigon and Mike Guyer understand architecture. The various concepts as well as the different constructions, materials, forms and colors that they employ in their projects are presented in an exhaustive documentation of their work that uses numerous photographs, plans and short texts. The three essays as well as a discussion between Patrick Gmür, Martin Steinmann and the architects offer in-depth reflection and contextualization.

    With essays by Gerhard Mack, Arthur Rüegg and Philip Ursprung

    Design: Gigon/Guyer with Integral Lars Müller

    16,5 x 24 cm, 6½ x 9½ in, approx. 552 pages, approx. 800 illustrations, hardcover (2012)

    ISBN 978-3-03778-276-7, Englisch
    ISBN 978-3-03778-257-6, German

    English,
    €58.00 / $85.00 / £55.00

    German,
    €58.00 / $85.00 / £55.00
    Out of stock
  10. What Anchors a House in Itself
    What Anchors a House in Itself
    Andreas Fuhrimann Gabrielle Hächler

    The Zürich architects Fuhrimann Hächler take on the most diverse building commissions. The present volume is devoted in particular to private residences, most of them realized for clients who are at home in the architectural and art scenes. These homes captivate by virtue of the clarity and simplicity of their constructive materials, their economically effective construction, and their haptic, sensual surfaces and flowing spatial transitions. Outstanding examples of their architecture include the Haus Presenhuber in Vnà (2007), the Haus Müller Gritsch in Lenzburg (2007) and their own residence in Zurich (2003).

    The text contributions take the reader beyond the featured residences while situating these within the overall oeuvres of the architects.

    With contributions by Hubertus Adam, Kurt W. Forster, Gianni Jetzer, Marie Theres Stauffer and the architects

    Photographs by Valentin Jeck

    Design: norm

    18,6 x 24,8 cm, 7 ¼ x 9 ¾ in, 216 pages, approx. 200 illustrations, hardcover (2010)

    ISBN 978-3-03778-240-8, e
    ISBN 978-3-03778-224-8, g

    English,
    €40.00 / $55.00 / £35.00

    German,
    €40.00 / $55.00 / £35.00

    2/170 Architects’ and Artists’ House on the Üetliberg
    34/180 Holiday House on the Rigi
    68/188 Müller Gritsch House
    102/196 Cemetery Building Erlenbach
    22/176 Riesbach Harbor Pavilion
    50/184 House in Central Switzerland
    84/192 Presenhuber House
    “It is easy to get caught up in the mesmerizing images of this book.”
    ArchDaily
  11. Ecological Urbanism
    Ecological Urbanism

    Edited by Mohsen Mostafavi, with Gareth Doherty, Harvard University Graduate School of Design

    While climate change, sustainable architecture, and green technologies have become increasingly topical, issues surrounding the sustainability of the city are much less developed. The premise of the book is that an ecological approach is urgently needed both as a remedial device for the contemporary city and an organizing principle for new cities. “Ecological Urbanism” approaches the city without any one set of instruments and with a worldview that is fluid in scale and disciplinary approach. Design provides the synthetic key to connect ecology with an urbanism that is not in contradiction with its environment. The book brings together design practitioners and theorists, economists, engineers, artists, policy makers, environmental scientists, and public health specialists, with the goal of reaching a more robust understanding of ecological urbanism and what it might be in the future.

    With contributions by Homi Bhabha, Stefano Boeri, Chuck Hoberman, Rem Koolhaas, Sanford Kwinter, Bruno Latour, Nina-Marie Lister, Mohsen Mostafavi, Matthias Schuler, Sissel Tolaas, Charles Waldheim, among others

    Design: Integral Lars Müller

    16.5 x 24 cm, 6 1/2 x 9 1/2 in, 656 pages, approx. 1000 illustrations, hardcover (2010)

    ISBN 978-3-03778-189-0, e

    €50.00 / $60.00 / £40.00
    12 Why Ecological Urbanism? Why Now? (Mohsen Mostafavi)

    ANTICIPATE
    56 Advancement versus Apocalypse (Rem Koolhaas)
    72 Zeekracht (OMA)
    78 Mumbai on My Mind: Some Thoughts on Sustainability (Homi K. Bhabha)
    84 Urban Earth: Mumbai (Daniel Raven-Ellison and Kye Askins)
    94 Notes on the Third Ecology (Sanford Kwinter)
    106 Social Inequality and Climate Change (Ulrich Beck)
    110 For a Post-Environmentalism: Seven Suggestions for a New Athens
    Charter and The Weak Metropolis (Andrea Branzi)
    114 Weak Work: Andrea Branzi’s “Weak Metropolis” and the Projective Potential of an “Ecological Urbanism” (Charles Waldheim)
    122 From “Sustain” to “Ability” (JDS Architects)
    124 Forty Years Later — Back to a Sub-lunar Earth (Bruno Latour)

    COLLABORATE
    130 Art Fieldwork (Giuliana Bruno)
    132 Ecological Urbanism and/as Urban Metaphor (Lawrence Buell)
    134 Black and White in Green Cities (Lizabeth Cohen)
    136 The Return of Nature (Preston Scott Cohen and Erika Naginski)
    138 Urban Ecological Practices: Félix Guattari’s Three Ecologies (Verena Andermatt Conley)
    140 Retrofitting the City (Leland D. Cott)
    142 Productive Urban Environments (Margaret Crawford)

    SENSE
    146 The City from the Perspective of the Nose (Sissel Tolaas)
    156 Urban Earth: Mexico City (Daniel Raven-Ellison)
    164 CitySense: An Urban-Scale Sensor Network (Matt Welsh and Josh Bers)
    166 Eat Love (Marije Vogelzang)
    168 Self-Engineering Ecologies (Christine Outram, Assaf Biderman, and Carlo Ratti)
    174 There’s More to Green than Meets the Eye: Green Urbanism in Bahrain
    (Gareth Doherty)
    184 Play Me, I’m Yours (Luke Jerram)
    186 Mapping Main Street (Jesse Shapins, Kara Oehler, Ann Heppermann,
    and James Burns)

    CURATE
    190 Curating Resources (Niall Kirkwood)
    194 The Sea and Monsoon Within: A Mumbai Manifesto (Anuradha Mathur and Dilip da Cunha)
    208 Transcendent Eco-cities or Urban Ecological Security?
    (Mike Hodson and Simon Marvin)
    218 New Waterscapes for Singapore (Herbert Dreiseitl)
    222 To Raise the Water Level in a Fishpond (Zhang Huan)
    224 Envisioning Ecological Cities (Mitchell Joachim)
    230 Return to Nature (Sandi Hilal, Alessandro Petti, and Eyal Weizman)
    236 Harmonia 57 (Triptyque)
    238 Grounding a Sustainable Urban Strategy (Michael Van Valkenburgh Associates)
    240 Center Street Plaza (Hood Design)

    PRODUCE
    244 Energy Sub-structure, Supra-structure, Infra-structure (D. Michelle Addington )
    252 Wave Farm (Pelamis Wave Power Ltd.)
    254 CR Land Guanganmen Green Technology Showroom (Vector Architects)
    256 Aux Fermes, Citoyens! (Dorothée Imbert)

    268 Local River: Home Storage Unit for Fish and Greens (Mathieu Lehanneur with Anthony van den Bossche)
    270 Soft Cities (KVA MATx)
    274 The ZEDfactory (Bill Dunster)
    280 Logroño Eco-city (MVRDV)
    282 The Big-Foot Revolution (Kongjian Yu)
    292 La Tour Vivante, Eco-tower (soa architectes)

    COLLABORATE
    296 Management Challenges in Urban Transformation: Organizing to Learn (Amy C. Edmondson)
    298 Air Purification in Cities (David Edwards)
    300 Social Justice and Ecological Urbanism (Susan S. Fainstein)
    302 Governing the Ecological City (Gerald E. Frug)
    304 Underground Future (Peter Galison)
    306 Temperate and Bounded (Edward Glaeser)
    308 Bioinspired Adaptive Architecture and Sustainability (Donald E. Ingber)

    INTERACT
    312 Urban Ecology and the Arrangement of Nature in Urban Regions
    (Richard T. T. Forman)
    324 The Agency of Ecology (Chris Reed)
    330 New York City Infrastructure (Christoph Niemann)
    332 Redefining Infrastructure (Pierre Bélanger)
    350 User-Generated Urbanism (Rebar)
    356 Situating Urban Ecological Experiments in Public Space (Alexander J. Felson and Linda Pollak)
    364 A Holistic View of the Urban Phenomenon (Barcelona Urban Ecology Agency)
    370 Gwanggyo New City Park System (Yoonjin Park and Jungyoon Kim (PARKKIM))
    372 A Methodology for Urban Innovation (Alfonso Vegara, Mark Dwyer, and Aaron Kelley)
    374 Greenmetropolis (Henri Bava, Erik Behrens, Steven Craig, and Alex Wall)

    MOBILIZE
    380 Mobility, Infrastructure, and Society (Richard Sommer)
    382 Sustainable Urban Mobility through Light Electric Vehicles (William J. Mitchell)
    398 Sustainable Mobility in Action (Federico Parolotto)
    402 Sustaining the City in the Face of Advanced Marginality
    (Loïc Wacquant)
    406 A General Theory of Sustainable Urbanism (Andrés Duany)
    412 The Political Ecology of Ecological Urbanism (Paul Robbins)
    416 The SynCity Urban Energy System Model (Niels Schulz, Nilay Shah, David Fisk, James Keirstead, Nouri Samsatli, Aruna Sivakumar, Celine Weber, and Ellin Saunders)
    420 Oil City: Petro-landscapes and Sustainable Futures (Michael Watts)
    425 Niger Delta Oil Fields (Ed Kashi)
    428 The Upway (Rafael Viñoly)
    430 GSD RESEARCH Nairobi Studio (Jacques Herzog and Pierre de Meuron)

    MEASURE
    444 Five Ecological Challenges for the Contemporary City (Stefano Boeri)
    454 Revolutionizing Architecture (Jeremy Rifkin)
    456 The Canary Project (Susannah Sayler)
    458 “Performalism”: Environmental Metrics and Urban Design (Susannah Hagan)
    468 Nature Culture (Kathryn Moore)
    472 Investigating the Importance of Customized Energy Model Inputs: A Case Study of Gund Hall (Holly A. Wasilowski and Christoph F. Reinhart)
    476 Perception of Urban Density (Vicky Cheng and Koen Steemers)
    482 London’s Estuary Region (Sir Terry Farrell)
    488 Urban Earth: London (Daniel Raven-Ellison)
    496 Sustainability Initiatives in London (Camilla Ween)
    500 Moving beyond LEED: Evaluating Green at the Urban Scale (Thomas Schroepfer)
    502 Landscapes of Specialization (Bill Rankin)
    504 GSD RESEARCH
    Half a Million Trees: Prototyping Sites and Systems for Sustainable Cities (Kristin Frederickson and Gary Hilderbrand)
    506 SlaveCity (Atelier Van Lieshout)
    510 EcoBox/Self-Managed Eco-urban Network (atelier d’architecture autogérée)
    512 Temporary Urban Scene: Beach on the Moon (Ecosistema Urbano)

    COLLABORATE
    516 Comfort and Carbon Footprint (Alex Krieger)
    518 Ecological Urbanism and Health Equity: An Ecosocial Perspective (Nancy Krieger)
    520 Nature, Infrastructures, and the Urban Condition (Antoine Picon)
    522 Sustainability and Lifestyle (Spiro Pollalis )
    524 Ecological Urbanism and the Landscape (Martha Schwartz)
    526 Old Dark (John Stilgoe)
    528 Religious Studies and Ecological Urbanism (Donald K. Swearer)
    530 Ecological Urbanism and East Asian Literatures (Karen Thornber)

    ADAPT
    536 Insurgent Ecologies: (Re)Claiming Ground in Landscape and Urbanism (Nina-Marie Lister)
    548 Performative Wood: Integral Computational -Design for a Climate-Responsive Timber -Surface Structure (Achim Menges)
    554 Shrinking Gotham’s Footprint (Laurie Kerr)
    560 Adaptivity in Architecture
    Hoberman Associates, Ziggy Drozdowski
    and Shawn Gupta
    568 GSD RESEARCH
    Climate Change, Water, Land Development,
    and Adaptation: Planning with Uncertainty (Almere, the Netherlands)
    (Armando Carbonell, Martin Zogran, and Dirk Sijmons)

    INCUBATE
    572 Balances and Challenges of Integrated Practice (Toshiko Mori)
    578 The Luxury of Reduction: On the Role of Architecture in Ecological Urbanism (Matthias Sauerbruch)
    584 Bank of America (Cook + Fox Architects)
    588 GSD RESEARCH
    A Place in Heaven, A Place in Hell: Tactical Operations in São Paulo
    (Christian Werthmann, Fernando de Mello Franco, and Byron Stigge)
    590 In Situ: Site Specificity in Sustainable Architecture (Anja Thierfelder and Matthias Schuler)
    598 Progetto Bioclimatico (Mario Cucinella)
    600 Wangzhuang Eco-city of Agriculture (Arup)
    606 Ecosystemic Master Planning, DISEZ Region, Senegal (ecoLogicStudio)
    608 Vegetal City: Dreaming the Green Utopia (Luc Schuiten)
    610 Verticalism (The Future of the Skyscraper) (Iñaki Ábalos)
    616 Urban Prototypes (Raoul Bunschoten)
    622 Taiwan Strait Climate Change Incubator (Chora Architecture and Urbanism )

    629 THE CITY (Ian McHarg)
    630 ECOLOGICAL URBANISM CONFERENCE BLOG

    APPENDIX
    642 Contributors
    648 Acknowledgments
    650 Index
    654 Illustration Credits
    “Ecological Urbanism is highly recommendable if you are willing to be open to its more experimental nature, because you, your landscape architecture or your interpretation of landscape architecture (the city) may not be the same after you have read this book.”
    Journal of Landscape Architecture
  12. White
    Kenya Hara
    White

    “White” is not a book about colors. It is rather Kenya Haras attempt to explore the essence of “White”, which he sees as being closely related to the origin of Japanese aesthetics – symbolizing simplicity and subtlety. The central concepts discussed by Kenya Hara in this publication are emptiness and the absolute void. Kenya Hara also sees his work as a designer as a form of communication. Good communication has the distinction of being able to listen to each other, rather than to press one’s opinion onto the opponent. Kenya Hara compares this form of communication with an “empty container”. In visual communication, there are equally signals whose signification is limited, as well as signals or symbols such as the cross or the red circle on the Japanese flag, which – like an “empty container” – permit every signification and do not limit imagination. Not alone the fact that the Japanese character for white forms a radical of the character for emptiness has prompted him the closely associate the color white with emptiness.

    13.5 x 19,5 cm, 5¼ x 7¾ in, 64 pages, 4 illustrations, hardcover (2010)

    ISBN 978-3-03778-183-8, e
    ISBN 978-3-03778-182-1, g

    English,
    €25.00 / $30.00 / £20.00

    German,
    €25.00 / $30.00 / £20.00

    Kenya Hara

    Kenya HARA, Graphic Designer
    Born in 1958. Graphic designer Kenya Hara served as the director of the Tokyo Fiber exhibition. He specializes in designing not objects but facts or events, such as identifications and communications. He produced the exhibition “RE-DESIGN_Daily Products of the 21st Century” in 2000, and through it he showed that the most marvelous sources of design were to be found in the context of daily life. In 2002, he became a member of the advisory board of MUJI and also took over as art director. In 2004, he produced the exhibition “HAPTIC_Awakening the Senses”. With this exhibition he demonstrated that within the contemporary context of design, in which designers tend to find their motivations spurred on by high technology, in fact vast resources for creation lay dormant in the human senses. He has directed work related to national events, such as the programs for the opening and closing ceremonies of the Nagano Olympics, and the official posters of the Aichi Expo 2005. Based in Tokyo, he has been seeking future communication resources he finds within Japanese culture and technology. His book Designing Design has been translated into several Asian languages, and in 2007 he largely rewrote it for translation into English, for publication by Lars Müller Publishers, Switzerland. At present he is the representative of Nippon Design Center Inc. and Professor of Musashino Art University.

    “This meditation on the complexity of simple things is wonderfully clear and inviting to read and transports you miles away from the sometimes overwhelmingly fast, multilayered, complicated reality of working life as a designer.”
    Grafik Library, A Guide to Essential Reading, autumn 2009

    “Today, we seem to be experiencing a rationalisation
    of the senses. The art of refinement
    has been half-forgotten, and attentiveness to
    detail, absorption, and slow engagement are
    neglected. In his captivatingly light text on the
    concept of “white,” Kenya Hara counters this
    tendency. His personal journey through concepts,
    objects, and practices such as emptiness,
    paper, and the Japanese tea ceremony
    not only opens up a field of heightened nuance
    and refinement. By melding everyday observations
    with reflections on Japanese aesthetics
    and sensitivity, he also amplifies the need to
    critically revise our understanding of the senses.
    This important little book thus challenges
    the simplifications that inform much presentday
    thought concerning what can be felt,
    experienced, and emotionally negotiated.”
    Olafur Eliasson on 'White'
  13. Operating Manual for Spaceship Earth
    One of the Top 50 Sustainability Books
    R. Buckminster Fuller
    Operating Manual for Spaceship Earth

    Edited by Jaime Snyder Reprint, Original 1969

    One of Fuller’s most popular works, Operating Manual for Spaceship Earth, is a brilliant synthesis of his world view. In this very accessible volume, Fuller investigates the great challenges facing humanity. How will humanity survive? How does automation influence individualization? How can we utilize our resources more effectively to realize our potential to end poverty in this generation? He questions the concept of specialization, calls for a design revolution of innovation, and offers advice on how to guide “spaceship earth” toward a sustainable future.

    Design: Integral Lars Müller

    12 x 18 cm, 4¾ x 7 in, 152 pages, softcover (2008)

    ISBN 978-3-03778-126-5, e
    ISBN 978-3-03778-188-3, f

    English,
    €15.00 / $20.00 / £15.00

    French,
    €15.00 / $20.00 / £15.00

  14. The Face of Human Rights
    The Face of Human Rights

    Edited by Walter Kälin, Lars Müller and Judith Wyttenbach

    “All men are born free and have an equal right to freedom,” states the UN Convention on Human Rights. Almost all nations have signed treaties to this effect, and yet reality looks rather different: everywhere people are tortured and executed, children starve to death and women are raped. And yet the work of the countless human rights actives all over the world is worth while. Proceedings can be instituted against states that fail to meet requirements, as human rights are internationally enshrined. One of humanities essential tasks is to implement them. This visual reader wants to make a contribution. The Face of Human Rights attempts to present all aspects of human rights visually and make them tangible. 720 pages demand that readers address the issues. Over 500 photographs show human rights infringements world-wide and the tireless struggle to implement and preserve those rights. The extensive selection of text explores the background and creates a dense network of links. 

    With contributions by Slavenka Drakulic´, Carlos Fuentes, Ryszard Kapus´cin´ski, Alexander Kluge, Sima Samar, Susan Sontag, Wole Soyinka and Margrit Sprecher

    Design: Integral Lars Müller

    16.5 x 24 cm, 6 ½ x 9 ½ in, 720 pages, 500 illustrations, hardcover (2008), softcover (german, second edition 2008)

    ISBN 978-3-30778-017-6, e (hardcover)
    ISBN 978-3-03778-114-2, g (softcover)

    Hardcover,
    €45.00 / $60.00 / £45.00

    Softcover,
    €30.00 / $50.00 / £30.00

    “... excellently designed cover... one of the best-designed non-design books of recent years.”
    Grafik

    “The editors have fulfilled their task outstandingly. With their encyclopaedic knowledge they have presented human rights more powerfully than ever before.”
    Der Bund
  15. Designing Design
    Out of stock
    Kenya Hara
    Designing Design

    3rd edition, 2011

    Representing a new generation of designers in Japan, Kenya Hara (born 1958) pays tribute to his mentors, using long overlooked Japanese icons and images in much of his work. In Designing Design, he impresses upon the reader the importance of “emptiness” in both the visual and philosophical traditions of Japan, and its application to design, made visible by means of numerous examples from his own work: Hara for instance designed the opening and closing ceremony programs for the Nagano Winter Olympic games 1998. In 2001, he enrolled as a board member for the Japanese label MUJI and has considerably moulded the identity of this successful corporation as communication and design advisor ever since. Kenya Hara, alongside Naoto Fukasawa one of the leading design personalities in Japan, has also called attention to himself with exhibitions such as Re-Design: the Daily products of the 21st Century of 2000.

    16.5 × 24 cm, 6 ½ x 9 ½ , 472 pages, 389 illustrations, hardcover (2007)

    ISBN 978-3-03778-105-0, e

    €55.00 / $55.00 / £50.00
    Kenya Hara

    Kenya HARA, Graphic Designer
    Born in 1958. Graphic designer Kenya Hara served as the director of the Tokyo Fiber exhibition. He specializes in designing not objects but facts or events, such as identifications and communications. He produced the exhibition “RE-DESIGN_Daily Products of the 21st Century” in 2000, and through it he showed that the most marvelous sources of design were to be found in the context of daily life. In 2002, he became a member of the advisory board of MUJI and also took over as art director. In 2004, he produced the exhibition “HAPTIC_Awakening the Senses”. With this exhibition he demonstrated that within the contemporary context of design, in which designers tend to find their motivations spurred on by high technology, in fact vast resources for creation lay dormant in the human senses. He has directed work related to national events, such as the programs for the opening and closing ceremonies of the Nagano Olympics, and the official posters of the Aichi Expo 2005. Based in Tokyo, he has been seeking future communication resources he finds within Japanese culture and technology. His book Designing Design has been translated into several Asian languages, and in 2007 he largely rewrote it for translation into English, for publication by Lars Müller Publishers, Switzerland. At present he is the representative of Nippon Design Center Inc. and Professor of Musashino Art University.

    “ ... every page lovingly crafted. (...) It is a perfect balance of style and content, action and non-action.”
    Eye Magazine

    “It is a book to contemplate.”
    Artichoke

    “All the gorgeous designs presented within... none is more gorgeous than the book itself.”
    square.MAGAZINE
  16. Helvetica
    Lars Müller
    Helvetica
    Homage to a Typeface

    In 1957, Swiss typographer Max Miedinger came up with “Haas Grotesk”. Renamed Helvetica after 1960, this typeface went on to become one of the world’s most used typefaces ever. It embodies the myth of Sachlichkeit, propagated at the time by Swiss Typography. This book sings the praises of this shift-worker and solo entertainer of typefaces, of its forgotten creator and all those who have contributed to its unparalleled international march of triumph over the past forty years. The designs gathered together here in honour of Helvetica have been created by superb designers and anonymous amateurs from all over the world. They present a unique panoply of this icon of modern design. Superb applications are juxtaposed with an anonymous collection of ugly, ingenious, charming, and hair-raising samples of its use. Helvetica is not only the preferred typeface of leading professionals, it is also an all-time favourite among the multitude of codes and signals and commands that enliven urban life.

    Design: Integral Lars Müller

    12 × 16 cm, 4 ¾ x 6 ¼ in, 256 pages, 400 illustrations, softcover (2005)

    ISBN 978-3-03778-046-6, e

    €19.00 / $25.00 / £15.00
    Lars Müller

    Lars Müller (1955) founded his studio for visual communication and design 1982 in Baden, Switzerland. Since 1983 he has been a publisher with an international focus in the fields of architecture, design, art, photography, and society. He has taught on a regular basis, most recently at Harvard University Graduate School of Design. Lars Müller is a Member of Alliance Graphique Internationale AGI.

    “Helvetica is the perfume of the city.”
    Lars Müller

    “A declaration of love of a particular kind in
    a small but elegant format. No design library
    should be without it.”
    Novum